一对年轻的已婚夫妇为了对抗一个超自然实体而努力求生。

Inspired by a poem by Lars Norén, By Herself is an oneiric film about a woman who lives alone and who comes home late one evening. Beautifully filmed, By Herself is a film that dwells on the mysteries of time, loneliness, and desire.

Though approaching his eighties, Max Kohn shows no signs of slowing down. He pursues his love life - both real and imagined - with youthful vigor, thereby risking his relationship to Reisel, the woman he loves but neglects. LOVE COMES LATELY is a film about real and imagined longings, the never ending dream of love and the power of fiction.

It explores Vivien Leigh’s struggle with bipolar disorder in the 1960s, as she prepares to lead the Broadway production of John Gielgud’s Chekhov adaptation of “Ivanov.” Joseph Penn, WWII veteran and blue-collar florist encounters Leigh on a delivery. At the same time, the star attends a local psychiatric facility for electroconvulsive therapy. Amidst the backdrop of madness, Leigh and Penn become each other’s sources of truth, beauty, and love.

Marilyn Malgré Elle is a 2-disc compilation album released in May 2012 by Naïve that features musical performances by Marilyn Monroe, including songs like "I Wanna Be Loved By You" and "Heat Wave". It was released amidst numerous 2012 retrospectives marking what would have been her 86th birthday.

Caitlin, a young Chicago performance artist, struggles to create work that is both personal and political. A piece she performs about the BP oil spill sends her relationship into a tailspin because her onstage nudity bothers her boyfriend.

Based on the comedy of the same name by Tirso de Molina, staged by the State Academic Maly Theatre of the USSR. The plot is built on a number of purely theatrical conventions typical of Spanish "cloak-and-dagger" comedies.

This film is not supposed to show some kind of healing, nor any dramatic scenes of forgiveness. It shows the cycle of hurt and consolation that we experience in our daily lives. Therefore, I would ask of the audience to be perfect observers, so that they can see how Emilia's regular, mundane life disguises a 'tragedy', and consider the chances of recovering an 'ordinary life'. At this point, I believe that hand-held long-take shots- consisting of the collision between fiction and non-fiction- efficiently underline the importance of the process, instead of hurriedly revealing the consequences of past actions.—Ungyu Yeo

A vaudeville performer has trouble dividing her time equally between her career and her two daughters.

When veteran film editor Vivien Hillgrove discovers that she is losing her sight, she embarks on an unconventional documentary memoir.